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Old 01-09-2003, 01:43 PM   #501
Blackboar
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At the momene I'm reading the Silmarillion and Changing Emma at the same time.

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Old 01-09-2003, 02:37 PM   #502
Andúril
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At the same time:
  • An Introduction to the New Testament. Raymond E. Brown.
  • A Marginal Jew - I. John P. Meier.
  • The Lord of the Rings
  • An Invitation to Theology. UNISA.
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Old 01-10-2003, 03:38 AM   #503
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Crickhollow, in that case may I ask whose translation of Beowulf? Please not Seamus Heaney's!

And Chaucer too, eh? That isn't remotely as foreign to a modern English reader as Beowulf, so no worries there. Unlike Beowulf, I'm a bit more relunctant to admit to my favorite line in Canterbury Tales; it's in the Miller's Tale. Okay, here goes:
And with his mouthe he kissed her naked erse.
I know it's tacky, but read it in context. What a yarn that Miller's Tale!
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Old 01-10-2003, 07:41 AM   #504
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What's wrong with Seamus Heaney's translation?
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Old 01-11-2003, 04:14 AM   #505
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A historical fantasy called Little Sister, made worth reading mainly because there are Tengu in it.
Actually, I finished veeery early this morning, but I'm reading it again. . .it's pretty short and I love the tengu character!
It's where the new quote in my signature is from: "I am a tengu. Impiety is my nature."
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Old 01-11-2003, 04:27 AM   #506
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Earniel wrote: What's wrong with Seamus Heaney's translation?

Okay, Professor Tolkien I think would agree with me on this: most Beowulf/ Old English lovers will never see a "translation" of Beowulf that they like. Translation in quotes because the thing is written in English! The ad copy on the dust jacket always insists that any given translation holds true to the original feel and style of the Old English, but the translators invariably insist on throwing in Latinate or Greek-derived words when the original English, which is still in common usage, would do. Foe example, translators always insist that they must change the word "folc," that is, folk, to nation or people, or modern readers wouldn't get it. Nonsense! Folk means now all the things it meant then. If the original English works, even poetically with a modicum of thought given to it by the reader, use that.
Case in point, my favorite sequence in Beowulf:
com on wanre niht scrithan sceadugenga. Sceotend swaefon, tha thaet hornreced healdan scoldon, ealle buton anum.
Almost literal translation, attempting to preserve the English:
came in the wan night the slithering shadow-walker. The archers (literally "shooters") were sleeping, they that should hold the gabled house, all but one.
ealle buton anum=all but one. Word for word, unchanged from then to now. But Heaney says "all except one." EXCEPT. Latin where the original English would do. "Asleep at their posts," for "sweafon," merely "sleeping." Okay, call me picky, but I tell ya, Tolkien would have made the same objections. Translators always get too darn flowery with Beowulf and then insist that they're "preserving the spirit of the original."
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Old 01-11-2003, 05:06 AM   #507
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I see, thanks for explaining.
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Old 01-11-2003, 11:03 AM   #508
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The wing of the Dragon - Margaret Weaz and Tracy Hickman.
Diamara - Maggie Fiury
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Old 01-11-2003, 05:33 PM   #509
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Today I finished Le Morte d'Arthur, which I started two months ago (I need more time to read! ). I think it's spolied me for every other King Arthur story though. I have to read German novels for school (currently tackling Kafka - help!) but when I get some time, I can finally start the CS Lewis books I got for Xmas. That'll be the day
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Old 01-11-2003, 07:23 PM   #510
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Quote:
Originally posted by Huan
Crickhollow, in that case may I ask whose translation of Beowulf? Please not Seamus Heaney's!

And Chaucer too, eh? That isn't remotely as foreign to a modern English reader as Beowulf, so no worries there. Unlike Beowulf, I'm a bit more relunctant to admit to my favorite line in Canterbury Tales; it's in the Miller's Tale. Okay, here goes:
And with his mouthe he kissed her naked erse.
I know it's tacky, but read it in context. What a yarn that Miller's Tale!
err...translation. let's see...nope, not Heaney's. it's apparently a *new* translation (c. 2000) by R.M. Liuzza.
Nope, Chaucer's much easier than Beowulf, and I'm not worried about that one at all. Middle English version of course--no translations allowed I was always somewhat partial to the Pardoner's Tale...
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Old 01-12-2003, 02:00 AM   #511
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Pardoner's Tale: isn't that the one where the three thieves meet Death? And they kill each other under a tree? Re. Beowulf: Liuzza. Never heard of him. Shrug.
Sun-star: Malory has spoiled you for all Arthurian stories? Have you read Chretien de Troyes' Arthurian Romances? They are much more coherent. Malory wrote kind of off the top of his head while he was in prison, didn't even bother apparently to check what he had written thirty pages ago. But Chretien shows a real sense of design. The Knight of the Cart (Launcelot) is especially nice.
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Old 01-12-2003, 04:47 AM   #512
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Indeed, that is the Pardoner's Tale. I don't know why I like that one...I suppose merely because it's the one that I know best. by the end of the semester, after we've picked the Tales to death, I may change my mind.
Sun-star: What Huan said. Lancelot follows more closely the modern scheme for fiction (hero, adversary, climax, revelation...etc) I love Gawain, too . Wait, Gawain isn't DeTroyes. I like it anyway.
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Old 01-12-2003, 03:08 PM   #513
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I am re-reading Return of the King and The Sil

Once I am done I am going to go pick of the HoMe series and Unfinished Tales....
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'Then Tuor arrayed himself in the hauberk, and set the helm upon his head, and he girt himself with the sword; black were sheath and belt with clasps of silver. Thus armed he went forth from Turgon's hall, and stood upon the high terraces of Taras in the red light of the sun. None were there to see him, as he gazed westward, gleaming in silver and gold, and he knew not that in that hour he appeared as one of the Mighty of the West, and fit to be father of the kings of the Kings of Men beyond the Sea, as it was indeed his doom to be; but in the taking of those arms a change came upon Tuor son of Huor, and his heart grew great within him. And as he stepped down from the doors the swans did him reverence, and plucking each a great feather from their wings they proffered them to him, laying their long necks upon the stone before his feet; and he took the seven feathers and set them in the crest of his helm, and straightway the swans arose and flew north in the sunset, and Tuor saw them no more.' -Of Tuor and his Coming to Gondolin

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Old 01-12-2003, 06:42 PM   #514
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Crickhollow, actually Gawain is in that same Chretien story, The Knight of Cart. Lancelot (we don't know it's him yet, the author keeps us guessing) encounters a dwarf driving a cart. In those days, carts were used to carry criminals, so no innocent person would dream of getting in one; the dishonor would be too great. But Lancelot is riding after a knight who abducted Guinevere and he's lost his horse, so he hops in the cart to get going faster. Gawain comes riding along on the same quest, and the dwarf tells him that if he's as big a fool as this other knight he can also hitch a ride. "I've got a horse," Gawain says. It's a nifty story.
Gawain also appears in another Chretien tale. I can't remember which one, but in it he finds himself unarmed and beset by angry villagers a la Frankenstein, so he has to use a chess board as his shield. Hilarious.
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Old 01-12-2003, 10:47 PM   #515
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yeah, I remember that he was in there, I should have said 'Gawain and the Green Knight' instead of just Gawain. There's one tale, I think it's Chretien but I'm not sure, that's about this really naive guy who didn't know what a knight was, and then meets one in the forest and wants to become one...makes it to Arthur's court, Kay hits some serving girl who laughs when the youth makes fun of him. He ends up trying to hunt down this Red Knight who has been taunting Arthurs court, and he fights him and takes his armour...on and on...does it ring a bell? I can't remember the name. I got a big kick out of it because the youth was so stupid
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Old 01-13-2003, 12:11 AM   #516
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The youth in question is Sir Percival. Yeah, that opening is priceless. The rest of the story is about his quest for the Grail.
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Old 01-13-2003, 02:46 PM   #517
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thank you! that's been bothering me for days.
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Old 01-14-2003, 01:52 AM   #518
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Ahh, bliss. An entire period of school (about forty-five minutes) dedicated to reading!

Starting tomorrow I will be reading "The Agony and the Ecstacy". But, I have a dilemma! Should I read "Farenheit 451", "Dune", "The Hitchhiker's Guide to the Galaxy" or "Brave New World" for my science-fiction novel? Help me decide! The minimum books required this semester (18 weeks) is six. Not a challenge, but help!

I could read "The Hobbit" for my British Literature requirement.
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Old 01-14-2003, 02:01 AM   #519
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Quote:
Originally posted by Starr Polish
Starting tomorrow I will be reading "The Agony and the Ecstacy". But, I have a dilemma! Should I read "Farenheit 451", "Dune", "The Hitchhiker's Guide to the Galaxy" or "Brave New World" for my science-fiction novel?
Dune! Dune! Dune! Dune!! Dune!!! Dune!!!!
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Old 01-14-2003, 03:26 AM   #520
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Quote:
Originally posted by Starr Polish
Starting tomorrow I will be reading "The Agony and the Ecstacy". But, I have a dilemma! Should I read "Farenheit 451", "Dune", "The Hitchhiker's Guide to the Galaxy" or "Brave New World" for my science-fiction novel? Help me decide! The minimum books required this semester (18 weeks) is six. Not a challenge, but help!
Hitchhiker's Guide to the Galaxy would be my suggestion

42! 42!
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